Nja Mahdaoui: The Choreographer of Letters

25 October, 2025
25 January, 2026

Nja Mahdaoui

Nja Mahdaoui is a pioneering Tunisian visual artist whose work has defined the field of calligraphic abstraction. Often described as a “choreographer of letters,” his practice liberates the Arabic script from linguistic meaning, transforming it into a visual, rhythmic, and poetic form. By emphasising gesture and morphology, Mahdaoui opens new aesthetic worlds that transcend cultural boundaries and invite viewers into intuitive, sensory encounters.

His career spans more than six decades and encompasses a wide range of media, from vellum, papyrus, and canvas to textiles, sculpture, glass, and monumental public installations. Whether through intimate works on parchment or large-scale commissions for airports, mosques, and institutions worldwide, his art explores the infinite expressive potential of the letter as pure form.

Mahdaoui’s works have been exhibited internationally and are held in major collections including the British Museum, the Smithsonian Institution, Institut du Monde Arabe, Mathaf: Arab Museum of Modern Art, and the Sharjah Art Foundation. His influence continues to resonate across generations, positioning him as one of the most significant figures of Arab modern art.

Bassam Freiha Art Foundation presents Nja Mahdaoui: The Choreographer of Letters, a landmark exhibition tracing more than six decades of artistic innovation. Recognised as a pioneer of calligraphic abstraction, Mahdaoui transforms the Arabic letter into a purely visual, rhythmic, and poetic form, creating an experience that transcends language and invites intuitive engagement.


The exhibition unfolds through a dialogue between chronology and theme, moving from Mahdaoui’s early experiments and the emergence of his distinctive visual language to his celebrated calligrams on vellum, where script becomes surface, rhythm, and meditation. It culminates with expansive works that push calligraphy into new dimensions of contemporary art, revealing its infinite aesthetic potential beyond linguistic or cultural boundaries.


At its core, this exhibitions celebrates Mahdaoui’s enduring exploration of the letter as a universal element, musical, visual, and resonant. Visitors are invited to encounter calligraphy not as text to be read but as presence to be felt, where line, gesture, and rhythm open a space for contemplation and dialogue.


Co-curated by Dr. Michaela Watrelot (BFAF) and Molka Mahdaoui, the exhibition also marks the launch of the first catalogue raisonné of a Tunisian artist, to be published by Rizzoli.

Nja Mahdaoui, (b. 1937, Tunisia)
Untitled, from the Sarkha series
2019
150 x 150 cm
Mixed media on linen canvas
Courtesy of Nja Mahdaoui Foundation
Nja Mahdaoui, (b. 1937, Tunisia)
Untitled – Graphic Research
1968
130 x 97 cm
Indian ink on linen canvas
Courtesy of Nja Mahdaoui Foundation
Nja Mahdaoui, (b. 1937, Tunisia)
Untitled – Calligrams on papyrus
1998
65 x 180 cm
Indian ink and acrylic on papyrus
Courtesy of Nja Mahdaoui Foundation
Nja Mahdaoui, (b. 1937, Tunisia)
Untitled – Calligrams on parchment paper 3
1986–1987
100 x 140 cm
Indian ink on parchement paper
Courtesy of Nja Mahdaoui Foundation
Nja Mahdaoui, (b. 1937, Tunisia)
Untitled – Graphemes on Arches 2
2011
140 x 140 cm
Ink on Arches vellum paper
Courtesy of Nja Mahdaoui Foundation
Nja Mahdaoui, (b. 1937, Tunisia)
Havana Libre
1986
100 x 70 cm
Limited-edition silkscreen created at René Portocarrero’s workshop during the second Havana Biennial.
Courtesy of Nja Mahdaoui Foundation
Nja Mahdaoui, (b. 1937, Tunisia)
Untitled – Graphic Study 1
1972
65 x 50 cm
Indian ink on paper
Courtesy of Nja Mahdaoui Foundation
Nja Mahdaoui, (b. 1937, Tunisia)
Untitled – Concretion series
1971
100 x 100 cm
Lacquered oil on anodized aluminum sheet
Courtesy of Nja Mahdaoui Foundation
Nja Mahdaoui, (b. 1937, Tunisia)
Untitled – Gestuelle 3
Early 1970s
65 x 50 cm
Gouache on paper
Courtesy of Nja Mahdaoui Foundation

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